Where Will you be Going, Exactly where Have You Been? Research Paper

" Where Are You Heading, Where Are you? "

Music is one of the symbols mentioned in this story. Mcdougal mentions the music played in everywhere in the story. The author says that " The Music was always in the background". The background music comes from eating places, homes and cars. Music symbolizes the impression and the emotions of the heroes. For example , music for Connie is a style for romantic relationship. When she is happy, she hears music in just about everywhere. On the other hand, once she is sad, she didn't want to hear the music at this distance. The music through this story gives a lot of aspect such as the associated with popular nationalities, the intimate relationships, plus the psychological manipulation. The look of different characters is known as a symbol. Initially of the story, the author details Connie as that this lady has a " habit of cranking her neck to look into mirrors". The look signifies the power of the characters. Normally the one who discusses people is able to control persons. Connie discusses Arnold and so she regulates him. Males look at Connie admirably although women check out Connie enviably. In the end, Arnold controls Connie through the use of his look for her. The author details Arnold personality as a mark of the satan. The shaggy hair that seemed like a wig, his eyes that looked like broken glass, the way in which he reveals as if he reads the lyrics. Also Arnaud wearing shoes stuffed appear longer, make make-up just like a mask may seem like he really wants to hide his true identification from Connie as if he was not in the human race. The Shadow of A Satyr in Oates's " Where are You Going Exactly where Have You Been? " consistent with this point when he state that " Wigs and constitute usually staying associated with celebrities, satyrs are not only some of the earliest heroes in Greek plays, nevertheless they were also the first to wear conceal (Beiber 9). In addition , Good friend looks " as if this individual were cheerful from inside a mask. His whole face was a mask" (48), one other element suggestive of Ancient greek language drama. Yet , the...

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